Fletcher’s Mutiny Cyclorama: 360 Degrees of History

2001: There is a wall – 3.6 metres high, 50 metres long and curved to form a complete circle. It began its life completely white, but at this stage the painting is nearing completion. Broad sweeps of an airbrush have provided the under-painting of shades of blue for sea and sky, and as the year progresses the two artists spend many hours with increasingly fine paintbrushes as they work on details in the painted scenes. At this advanced stage the ship’s riggings are being meticulously drafted and painted, and tiny figures have begun to appear in the busy Portsmouth harbour scene and on-board ships.
The interior wall they were working on was the centrepiece to the Fletcher’s Mutiny Cyclorama, a 360 degree panoramic painting depicting the story of how the Bounty mutineer descendants came to settle on Norfolk Island. The original idea was the brainchild of Islander Marie Bailey, whose travels had taken her to see a Cyclorama in Quebec, painted in the 1800s. She felt it would be the perfect way to convey the Bounty story, and developed the idea with two local artists, Tracey Yager and Sue Draper.
Tracey Yager is a born and bred Norfolk Islander, descended from the Bounty mutineers, and Sue Draper moved to Norfolk Island in the late 1990s. Together they established Gallery Guava in 1997 to show their own works and encourage other island artists to exhibit.
Marie, Tracey and Sue worked together to decide on how large the Cyclorama building and painting should be, and which scenes would best depict the story of Marie’s ancestor Fletcher Christian, leader of the infamous Mutiny on the Bounty.
Meticulous preparation and research for historical authenticity underpinned each of the scenes selected to tell the story, and in June 2000 the two artists were to begin the painting, a process which would ultimately take 16 months. Towards completion, artist Glenn Douran also brought her portrait-painting skills to the work, and local jazz musician Rick Robertson composed a beautiful soundtrack incorporating traditional island hymns and sound effects.
Fletcher’s Mutiny Cyclorama was opened to the public in October 2002 to wide acclaim, and rapturous comments in the visitors book include, “Most amazing tourist attraction I’ve ever seen’”,”Gloriously painted” and “Moved to tears”. As well as a host of awards and accolades. For many repeat visitors and locals, the Cyclorama is a touchstone to the essence of the Norfolk story, a way into something more intangible, underpinning a story of relocation, of a blending of cultures.
“People do feel very connected to it” says Tracey, “which is very gratifying both as an artist and as an islander. We feel very fortunate that people have a profound response to the work.”
The precedents for the Fletcher’s Mutiny Cyclorama can be found in the rise of cycloramas in the 19th Century, where they were a popular form of entertainment prior to the rise of cinema. Often painted on canvas and transportable, the 360 degree scenes might include vistas of cities, significant battles or religious stories. In their heyday hundreds were exhibited around the world, including some in Australian cities. They declined in popularity after 1900 but significant historic cycloramas still exist around the world. In recent times the cyclorama art-form has seen a renaissance, with up to 60 new and historic cycloramas on exhibition around the world in any given year.
The paint brushes have long since been put away for Fletcher’s Mutiny Cyclorama. Over twenty years on and the large circular chamber is now a world-class 360 degree celebration of the story of the Bounty mutineers, told with the perfect proportions of artistry, elegance and drama. It is also a testament to the vision, hard work and commitment of Marie, Tracey and Sue all those years ago.
The gateway to the Cyclorama is through Gallery Guava, which itself remains a showcase of local talent. The gallery shop exhibits a wide range of local products and artworks which include bone carvings, sterling silver jewellery, fine porcelain and glassware, as well as paintings, drawings, prints and homewares, all lovingly crafted by island artists.
Fletcher’s Mutiny Cyclorama continues to invoke the same feelings of awe to its visitors as it did the first day it opened. There’s no doubt this passionate and respectful telling of the Bounty saga has unquestionably earned its reputation as an essential visitor experience, and Gallery Guava remains a renowned gallery space offering the best of local creative talent. Together they continue to be an important feature of any Norfolk Island itinerary.
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Image credit: Fletcher’s Mutiny Cyclorama
www.norfolkcyclorama.com
Article content disclaimer: Article first published in Discover Norfolk, Volume 04, and 05 as different feature variations. Please note that details of specific travel, accommodation and touring options may be outdated. References to people, places and businesses, including operating days and times may be have changed. References to Government structure and Government businesses/entities may no longer be applicable. Please check directly with businesses and/or Government websites directly rather than relying on any information contained in this article before you make travel arrangements.